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    <title>Notebooks   </title>
    <link>http://bactra.org/notebooks</link>
    <description>Cosma's Notebooks</description>
    <language>en</language>

  <item>
    <title>C. J. Cherryh</title>
    <link>http://bactra.org/notebooks/2000/05/15#cherryh</link>
    <description>

&lt;blockquote&gt;&lt;em&gt;
Got three passports, coupla visas
&lt;br&gt;Don't even know my real name
&lt;/em&gt;&lt;/blockquote&gt;

C. J. Cherryh is an American writer of science fiction and fantasy.  She is
remarkable for the quality of her world-building, and in particular for the
politics; she is one of the most political writers I know of.  Now, by this I
don't mean that she spouts off her own political views, like, say, Jerry
Pournelle (who isn't really fit to be mentioned in the same breath), but that
political conflicts are central to her stories and are looked on with a gaze so
flinty as to strike sparks.  (We'll get back to the sparks.)  This puzzled me
for about half a dozen novels, because I &lt;em&gt;knew&lt;/em&gt; I'd seen this sort of
vision of politics before, but couldn't for the life of me place it: and then I
realized she was thinking like an &lt;a href=&quot;archaeology.html&quot;&gt;archaeologist&lt;/a&gt;.
That is to say, she begins with very grubby questions about who makes the
goodies everyone wants, and who has the power to get them, and what they do
with them, how they squabble amongst each other and ally with one another, how
they control those below them.

&lt;P&gt;Lo and behold, Cherryh is a trained archaeologist; also
a &lt;a href=&quot;classical-era-mediterranean.html&quot;&gt;classicist&lt;/a&gt;, another discipline
which can lead to looking on politics and the exercise of power with as little
sentimentality or cant as the ancient historians.

&lt;P&gt;(One consequence of this, as my good friend Jon Fetter has pointed out, is
that none of her characters are both religious and intelligent.)

&lt;P&gt;I mentioned sparks.  The other side to Cherryh is that her characters have
identity crises so flamboyant as to make what usually goes under that name seem
like dithering over two pairs of socks --- not &quot;Am I in the right job?&quot; but &quot;Am
I in the right species?&quot;  They are, variously, completely without any idea of
who they are, but recollect how to do things perfectly, in bursts, like
Condillac's statue as re-wired by Plato; or they're clones being moulded into
their originals; or they think they know who they are, but all their memories
are completely false; or they can't quite remember if they killed the light of
their life; or at the very least, they met the light of their live after said
light drowned herself, or their whole past is completely unavowable.  One of
the advantages of writing such stories as science fiction is that of presenting
otherwise absurd or surreal dilemmas in a realistic idiom --- as though
Turgenev were to take up Kafka's plots.  (The archaeological background adds a
further air of versimilitude to otherwise surreal and unconvincing narratives.)

&lt;P&gt;In fact, Cherryh's most common protagonist is a young man pitched head-first
into an exceedingly murky, dangerous and consequential situation he has only
the vaguest idea how to handle, proded and pulled by forces he doesn't
understand, and with one of these &lt;em&gt;real&lt;/em&gt; identity problems on top of it
all.  (One of the things I don't like about Cherryh is that her readers
sometimes spend a lot of time being as confused as this character is, and going
&quot;&lt;em&gt;damn&lt;/em&gt;&quot; a lot; do any of her characters ever say &quot;fuck&quot;?)  Her other
recurring character is a cool, calculating, manipulative schemer, who doesn't
so much jerk people around as give them massive yanks.  Sometimes (e.g. Ari II,
Bren Cameron) the two types actually &lt;em&gt;combine&lt;/em&gt; in varying degrees, which
comes off much better (in the case of Ari II, much, much better) than one would
think possible.  (She also has a number of female protagonists who are merely
unflappable and tough as nails.)

&lt;ul&gt;Recommended:
	&lt;li&gt;By Cherryh:
		&lt;ul&gt;
		&lt;li&gt;&lt;cite&gt;Downbelow Station&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Cyteen&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Foreigner&lt;/cite&gt;, &lt;cite&gt;Invader&lt;/cite&gt;, &lt;cite&gt;Inheritor&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Heavytime&lt;/cite&gt;, &lt;cite&gt;Hellburner&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Sunfall&lt;/cite&gt; [&lt;a href=&quot;dying-earth.html&quot;&gt;Dying Earth&lt;/a&gt;
stories, reprinted in &lt;cite&gt;Collected Short fiction&lt;/cite&gt;]
		&lt;li&gt;&lt;cite&gt;The Dreaming Tree&lt;/cite&gt; [=&lt;cite&gt;The Dreamstone&lt;/cite&gt; +
&lt;cite&gt;The Tree of Swords and Jewels&lt;/cite&gt; + Cherryh's revisions]
		&lt;li&gt;&lt;cite&gt;Fortress in the Eye of Time&lt;/cite&gt; [Three sequels to date,
titled &lt;cite&gt;Fortress of Eagles&lt;/cite&gt;, &lt;cite&gt;Owls&lt;/cite&gt; and
&lt;Cite&gt;Dragons,&lt;/cite&gt; respectively.  Apparently finished.]
		&lt;li&gt;&lt;a href=&quot;http://www.cherryh.com/&quot;&gt;Her own web site&lt;/a&gt;
		&lt;/ul&gt;
	&lt;li&gt;P. Cornelius Tacitus, &lt;cite&gt;&lt;a href=&quot;http://classics.mit.edu/Tacitus/histories.html&quot;&gt;The Histories&lt;/a&gt;&lt;/cite&gt; and &lt;cite&gt;&lt;a href=&quot;http://classics.mit.edu/Tacitus/annals.html&quot;&gt;The Annals&lt;/a&gt;&lt;/cite&gt; [Tacitus was a cool, brilliant,
pitiless bastard of a historian, one of the glories of Latin literature and
one of the delights of though-minded
&lt;a href=&quot;classical-era-mediterranean.html&quot;&gt;classicists&lt;/a&gt;, so it's hardly
surprising Cherryh recommends him.  (So did &lt;a href=&quot;nietzsche.html&quot;&gt;Uncle
Fritz&lt;/a&gt;, but I don't think there's a connection.)]

&lt;ul&gt;To read:
	&lt;li&gt;Edward Carmien (ed.), &lt;cite&gt;The Cherryh Odyssey&lt;/cite&gt;
	&lt;li&gt;CJC
		&lt;ul&gt;
		&lt;li&gt;&lt;cite&gt;The Book of Morgaine&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;The Faded Sun&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Faery in Shadow&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Finity's End&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;40,000 in Gehenna&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;The Goblin Mirror&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Regenesis&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Serpent's Reach&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Tripoint&lt;/cite&gt;
		&lt;/ul&gt;
	&lt;/ul&gt;
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