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    <title>Notebooks   </title>
    <link>http://bactra.org/notebooks</link>
    <description>Cosma's Notebooks</description>
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  <item>
    <title>Discourses on Method</title>
    <link>http://bactra.org/notebooks/2003/02/09#discourses-on-method</link>
    <description>




&lt;P&gt;These are books which do not so much describe how we actually think and
believe, and acquire what passes for knowledge --- though they may present
themselves that way, either deliberately or through self-misunderstanding ---
but rather prescribe a way of thinking, believing, inquiring and speaking.
They change the way their readers think, the way they look at the world and the
way they approach it.  They get their strongest effect by being short,
concentrated, simple enough for anyone to understand, programmatic, half
demolition with high explosives and half massive construction.

&lt;P&gt;Their great age, of course, was the 17th century.
Descartes's &lt;cite&gt;Discourse on Method&lt;/cite&gt; is, as a work of literature and
mind-bending, the greatest of them all, but that age also boasts
Spinoza's &lt;cite&gt;Treatise on the Emendation of the Intellect,&lt;/cite&gt;
Bacon's &lt;cite&gt;Novum Organum,&lt;/cite&gt; Newton's maxims for physics; parts of
Hobbes, Leibniz and Locke, taken in isolation, have the right qualities.  In
the next century: Condillac, Hume's &lt;cite&gt;Enquiry.&lt;/cite&gt;  The nineteenth
century was not a good one for the genre, being too devoted to system-building
and sheer mass: &lt;a href=&quot;claude-bernard.html&quot;&gt;Claude Bernard&lt;/a&gt; is the closest
approach I can think of.  &lt;a href=&quot;nietzsche.html&quot;&gt;Nietzsche&lt;/a&gt;, say
from &lt;cite&gt;The Dawn&lt;/cite&gt; onwards, has much the same ability to turn the world
inside out, but lacks the combination of brevity with focus and explicit
programmatic force.  The twentieth century marks a minor renaissance ---
Ayer's &lt;cite&gt;Language, Truth and Logic,&lt;/cite&gt; James's &lt;cite&gt;Pragmatism&lt;/cite&gt;;
much later, what seems to have been their last gasp, &lt;cite&gt;&lt;a
href=&quot;simon.html&quot;&gt;The Sciences of the Artificial&lt;/A&gt;.&lt;/cite&gt;  (&lt;a
href=&quot;gellner.html&quot;&gt;Gellner&lt;/a&gt;'s &lt;cite&gt;Legitimation of Belief&lt;/cite&gt;, to which
I am obviously indebted, is perhaps a borderline case.)

&lt;P&gt;It's not so hard, I think, to understand why the genre has died out ---
we've learned how to learn, and there's little point in telling physicists or
molecular biologists or historians how to suck eggs.  (Comparing even a
mediocre modern historian with, say, Tacitus shows the immense improvement
attention to methods has wrought.  Genius makes straight in the desert a
highway for plodders.)  Only the social sciences retain the need, and so
produce occasional examples.

&lt;P&gt;But at the other end, at their beginning, things are more mysterious.  Then
knowledge was rare, and what passed for it was for the most part ``the vain
babblings and oppositions of science falsely so called''; in a real sense a
bell-founder knew much more than an abbot.  Something inspired the writers of
the discourses to reject the abbot's learning --- rightly --- but they didn't
turn to the artisanal craft know-how of the bell-founder, clock-maker,
wainwright, gunsmith, etc. (except, perhaps, and only to a degree, for Bacon).
So: what made them look for another sort of &lt;em&gt;discursive&lt;/em&gt; knowledge?
(This may be tantamount to asking about the origins of modern science and
rationalism.)  --- A related, but perhaps more managable query is, where did
the manner come from?  The discourses are suggestive of some set of
hyper-Protestant guides to cognitive salvation outside the bounds of any
church --- though that doesn't tally at all well with their authors actual
religious convictions.  Were there religious books of a similar manner
contemporary with the discourses, or perhaps some philosophical or
belle-lettristic tradition they draw on?  (I know that Nicholas of Cusa wrote a
book &lt;cite&gt;On Learned Ignorance,&lt;/cite&gt; for instance, but I know nothing of its
contents, which seems terribly fitting.)

&lt;P&gt;Some books with a lot more substantive, rather than just procedural, content
clearly have similar effects --- &lt;cite&gt;The German Ideology,&lt;/cite&gt; &lt;cite&gt;The
Selfish Gene.&lt;/cite&gt;  Is there really a valid distinction between the two
sorts?
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