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    <title>Notebooks   </title>
    <link>http://bactra.org/notebooks</link>
    <description>Cosma's Notebooks</description>
    <language>en</language>

  <item>
    <title>Futurism</title>
    <link>http://bactra.org/notebooks/1997/05/05#futurism</link>
    <description>
&lt;P&gt;No, no, not &lt;a href=&quot;prophecy.html&quot;&gt;mumbo-jumbo&lt;/a&gt; like Toffler or
Spengler; I mean the &lt;a href=&quot;artistic-modernism.html&quot;&gt;modernist artistic
movement&lt;/a&gt; founded in 1909 by F. T. Marinetti in friends; the first artists
to really, consciously and with immense self-promotion embrace technology and
constant change and shock and all that good stuff.  They were the first
cyberpunks, the
first &lt;a href=&quot;http://jubal.westnet.com/hyperdiscordia/&quot;&gt;Discordians&lt;/a&gt;, and
(perhaps not coincidentally) some of the first Fascists.  The original
(pre-WWI) Futurists were also good artists.  Years ago, I wrote a fragment
arguing that &quot;&lt;a href=&quot;../T4PM/T4PM.html&quot;&gt;we are all Futurists now&lt;/a&gt;&quot; --- all
of us on the Net, anyhow --- which now seems clearly false, through
over-statement, but perhaps worth re-examining at some point...

&lt;ul&gt;Recommended:
	&lt;li&gt;Giacomo Balla was a good painter, but his pupils, Federigo Severini
and (especially) Umberto Boccioni were even better. 
	&lt;li&gt;Reyner Banham has some good chapters on both the general character
of the movement, and its influence on &lt;a href=&quot;bauhaus.html&quot;&gt;modern
architecture&lt;/a&gt;, in &lt;cite&gt;Theory and Design in the First Machine Age&lt;/cite&gt;
	&lt;li&gt;Igor Golomshtok, &lt;cite&gt;Totalitarian Art&lt;/cite&gt;
	&lt;li&gt;The &lt;a href=&quot;http://www.sgi.com/grafica/future/index.html&quot;&gt;Futurist
Programmers&lt;/a&gt;, especially the &lt;a
href=&quot;http://www.sgi.com/grafica/future/futman.html&quot;&gt;Manifesto of the Futurist
Programmers.&lt;/a&gt;
	&lt;li&gt;James Joll, &lt;cite&gt;Three Intellectuals in Politics&lt;/cite&gt; [Marinetti
is the last of the three, preceeed by Leon Blum and Walther Rathenau, who were
respectively the Premier of France and in charge of the German economy during
the Great War.]
	&lt;li&gt;F. T. Marinetti
		&lt;ul&gt;
		&lt;li&gt;&lt;cite&gt;&lt;a href=&quot;../T4PM/futurist-manifesto.html&quot;&gt; The
Futurist Manifesto&lt;/a&gt;&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;&lt;a
href=&quot;http://pharmdec.wustl.edu/juju/surr/futurism/FUTCOOK5.html&quot;&gt;The Futurist
Cookbook&lt;/a&gt;&lt;/cite&gt;
		&lt;/ul&gt;
	&lt;li&gt;The &lt;a href=&quot;http://neofuturists.org/&quot;&gt;Neo-Futurists&lt;/a&gt; are a
Chicago group which put on a damn fine show, &lt;cite&gt;Too Much Light Makes the
Baby Go Blind,&lt;/cite&gt; which tends to blow the minds of those who aren't
prepared for, say, thirty plays in sixty minutes; I wasn't.
	&lt;li&gt;Bruce &lt;a href=&quot;../Sterling/&quot;&gt;Sterling&lt;/a&gt;, &lt;a
href=&quot;http://www.well.com/conf/mirrorshades/viridian.html&quot;&gt;The Manifesto of
January 3, 2000&lt;/a&gt;
	&lt;li&gt;J. C. Taylor, &lt;cite&gt;Futurism&lt;/cite&gt; is the very good catalog of a
show at the New York Museum of Modern Art in 1961.
	&lt;li&gt;Kim Scarborough's &lt;a
href=&quot;http://www.unknown.nu/futurism/&quot;&gt;Futurism Index&lt;/a&gt; has a wider selection
of manifestoes, and links to such other Futurist pages as can be found.
	&lt;/ul&gt;

&lt;ul&gt;To read:
	&lt;li&gt;Walter L. Adamson, &lt;cite&gt;Embattled Avant-Gardes: Modernism's Resistance to Commodity Culture in Europe&lt;/cite&gt; [&lt;a href=&quot;http://www.ucpress.edu/books/pages/10930.html&quot;&gt;Blurb&lt;/a&gt;.  Chapter on Marinetti.]
	&lt;li&gt;G&amp;uuml;nter Berghaus
		&lt;ul&gt;
		&lt;li&gt;&lt;cite&gt;Futurism and Politics: Between
Anarchist Rebellion and Fascist Reaction, 1909--1944&lt;/cite&gt; [Looks like pure
apologetics, along the lines of &quot;they collaborated, but they had private
objections.&quot;  As &lt;a href=&quot;kolakowski.html&quot;&gt;Kolakowski&lt;/a&gt; says somewhere about
the analogous position under Stalin, the rulers ask for no more.]
		&lt;li&gt;&quot;New Research on Futurism and Its Relations with the
Fascist
Regime&quot;, &lt;a href=&quot;http://dx.doi.org/10.1177/0022009407071634&quot;&gt;&lt;cite&gt;Journal of
Contemporary History&lt;/cite&gt;
&lt;strong&gt;42&lt;/strong&gt; (2007): 149&lt;/a&gt;
		&lt;/ul&gt;
	&lt;li&gt;Cinzia Sartini Blum, &lt;cite&gt;The Other Modernism: F. T. Marinetti's
Futurist Fiction of Power&lt;/cite&gt;
	&lt;li&gt;Hal Foster, &lt;cite&gt;Prosthetic Gods&lt;/cite&gt;
	&lt;li&gt;Richard Humphreys, &lt;cite&gt;Futurism&lt;/cite&gt; [&lt;a
href=&quot;http://www.cup.org/Titles/64/0521646111.html&quot;&gt;Blurb&lt;/a&gt;]
	&lt;li&gt;Marinetti, &lt;cite&gt;The Untameables&lt;/cite&gt;
	&lt;li&gt;Marianne Martin, &lt;cite&gt;Futurist Art and Theory&lt;/cite&gt;
	&lt;li&gt;Perloff, &lt;cite&gt;The Futurist Movement&lt;/cite&gt;
	&lt;li&gt;Christine Poggi, &lt;cite&gt;Inventing Futurism: The Art and Politics
of Artificial Optimism&lt;/cite&gt; [&lt;a href=&quot;http://press.princeton.edu/titles/8799.html&quot;&gt;Blurb, ch. 1&lt;/a&gt;]
	&lt;li&gt;Martin Puchner, &lt;cite&gt;Poetry of the Revolution: Marx, Manifestos,
and the Avant-Gardes&lt;/cite&gt;
[&lt;a href=&quot;http://pup.princeton.edu/titles/8066.html&quot;&gt;Blurb, intro&lt;/a&gt;]
	&lt;li&gt;Russolo, &lt;cite&gt;Art of Noises&lt;/cite&gt;
	&lt;/ul&gt;
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