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    <title>Notebooks   </title>
    <link>http://bactra.org/notebooks</link>
    <description>Cosma's Notebooks</description>
    <language>en</language>

  <item>
    <title>Imagination</title>
    <link>http://bactra.org/notebooks/2009/12/25#imagination</link>
    <description>
Varieties (&lt;a href=&quot;wm-james.html&quot;&gt;James&lt;/a&gt;, following Galton, classified them
by the sense simulated --- visual, verbal, kinetic, etc.) and their inheritance
(if any).  &lt;a href=&quot;evol-psych.html&quot;&gt;Evolution&lt;/a&gt;, &lt;a
href=&quot;neuroscience.html&quot;&gt;neurology&lt;/a&gt;, &lt;a
href=&quot;cognitive-science.html&quot;&gt;cognitive mechanisms&lt;/a&gt;.  Aids to the
imagination --- mental techniques, chemicals, machines.  (I don't know of any
chemicals or machines which work, but would be happy to learn.)

&lt;P&gt;&lt;em&gt;Machines with imagination&lt;/em&gt; --- the first to claim that such were
possible was, implicitly, &lt;a href=&quot;la-mettrie.html&quot;&gt;La Mettrie&lt;/a&gt;, since he
(1) claimed human beings are machines and (2) that all human mental faculties
are forms of imagination (an idea not uncommon among the pre-romantics and &lt;a
href=&quot;romanticists.html&quot;&gt;Romanticists&lt;/a&gt;, but not what one expects of the
hard-core &lt;a href=&quot;enlightenment.html&quot;&gt;Enlightenment&lt;/a&gt;).  I think this idea
then pretty much lay fallow for two centuries, until people started building
computers, at which point questions of machine creativity came up very swiftly.
Recently there've been a flurry of computer models of human imagination and
creativity, and computer programs intended to create in their own right.  Some
of them aren't bad --- certainly Aaron draws and EMI composes better than I do.

&lt;ul&gt;Recommended:
	&lt;li&gt;Margaret Boden, &lt;a
href=&quot;http://www.bbsonline.org/documents/a/00/00/04/34/&quot;&gt;Precis of
&lt;cite&gt;The Creative Mind: Myths and Mechanisms&lt;/cite&gt;&lt;/a&gt;
	&lt;li&gt;&lt;a href=&quot;italo-calvino.html&quot;&gt;Italo Calvino&lt;/a&gt;, &lt;cite&gt;Six Memos for
the Next Millennium&lt;/cite&gt; [Some very beautiful passages, and some interesting
reflections, but no theory, and hardly even conclusions]
	&lt;li&gt;&lt;a href=&quot;http://arts.ucsc.edu/faculty/cope/home&quot;&gt;David Cope&lt;/a&gt;
[&quot;Computer Modeling of Musical Intelligence&quot;]
	&lt;li&gt;William James,
&lt;cite&gt;Principles of Psychology&lt;/cite&gt;, &lt;a
href=&quot;http://psychclassics.yorku.ca/James/Principles/prin18.htm&quot;&gt;ch. 18&lt;/a&gt;
	&lt;li&gt;John Livingston Lowes, &lt;cite&gt;The Road to Xanadu: A Study in the
Ways of the Imagination&lt;/cite&gt;
	&lt;li&gt;&lt;a href=&quot;../Medawar/&quot;&gt;Peter Medawar&lt;/a&gt;, &quot;Two Conceptions of
Science&quot;, &quot;Science and Literature&quot; and &quot;Induction and Intuition in
Scientific Thought&quot;, all in &lt;cite&gt;Pluto's Republic&lt;/cite&gt;
	&lt;li&gt;There's a lot of interest on mental imagery in Steven Pinker's
&lt;cite&gt;&lt;a href=&quot;../reviews/how-the-mind-works/&quot;&gt;How the Mind Works&lt;/a&gt;,&lt;/cite&gt;
ch. &quot;The Mind's Eye&quot;; I don't think he touches on non-visual imagination.
	&lt;li&gt;Yi-Fu Tuan
		  &lt;ul&gt;
		  &lt;li&gt;&lt;cite&gt;Morality and Imagination: Paradoxes of
Progress&lt;/cite&gt; [Imagining things better than they are, and what it leads to]
		  &lt;li&gt;&lt;cite&gt;Escapism&lt;/cite&gt;
		  &lt;/ul&gt;
	&lt;/ul&gt;

&lt;ul&gt;To read:
	&lt;li&gt;Margaret Boden, &lt;cite&gt;The Creative Mind: Myths and
Mechanisms&lt;/cite&gt;
	&lt;li&gt;Ruth M. J. Burne, &lt;cite&gt;The Rational Imagination: How People Create
Alternatives to Reality&lt;/cite&gt;
[&lt;a href=&quot;http://mitpress.mit.edu/0-262-52474-0&quot;&gt;Blurb&lt;/a&gt;]
	&lt;li&gt;Frank L. Cioffi, &lt;cite&gt;The Imaginative Argument: A Practical
Manifesto for Writers&lt;/cite&gt; [&lt;a
href=&quot;http://pup.princeton.edu/titles/7936.html&quot;&gt;Blurb, first chapter&lt;/a&gt;]
	&lt;li&gt;Coleridge, &lt;cite&gt;Biographia Literaria&lt;/cite&gt;
	&lt;li&gt;Denis Donoghue, &lt;cite&gt;The Sovereign Ghost&lt;/cite&gt;
	&lt;li&gt;Anton Ehrenzweig, &lt;cite&gt;The Hidden Order of Art&lt;/cite&gt;
	&lt;li&gt;Alice Flaherty, &lt;cite&gt;The Midnight Disease: The Drive to Write,
Writer's Block, and the Creative Brain&lt;/cite&gt; [&lt;a
href=&quot;http://www.washingtonpost.com/wp-dyn/articles/A40431-2004Jan22.html&quot;&gt;Review
by Carolyn See&lt;/a&gt;]
	&lt;li&gt;O. B. Hardison, Jr., &lt;cite&gt;Poetics and Praxis&lt;/cite&gt;
	&lt;li&gt;John Spencer Hill, &lt;cite&gt;&lt;a
href=&quot;http://www.uottawa.ca/~phoenix/imagin.htm&quot;&gt;Imagination in
Coleridge&lt;/a&gt;&lt;/cite&gt;
	&lt;li&gt;Erik Mueller, &lt;cite&gt;Daydreaming in Humans and Machines&lt;/cite&gt; [Also
a &lt;a href=&quot;http://www.signiform.com/daydreamer/&quot;&gt;web-site&lt;/a&gt;]
	&lt;li&gt;Nancy Nersessian, &lt;cite&gt;Creating Scientific Concepts&lt;/citE&gt;
[&lt;a href=&quot;http://mitpress.mit.edu/978-0-262-14105-5&quot;&gt;blurb&lt;/a&gt;]
	&lt;li&gt;D. N. Perkins, &lt;cite&gt;The Mind's Best Work&lt;/cite&gt;
	&lt;li&gt;Elaine Scarry, &lt;cite&gt;Dreaming by the Book&lt;/cite&gt;
	&lt;li&gt;Jerome Singer, &lt;cite&gt;Daydreaming: An Introduction to the
Experimental Study of Inner Experience&lt;/cite&gt;
	&lt;/ul&gt;
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