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    <title>Notebooks   </title>
    <link>http://bactra.org/notebooks</link>
    <description>Cosma's Notebooks</description>
    <language>en</language>

  <item>
    <title>The Romanticists</title>
    <link>http://bactra.org/notebooks/2009/04/10#romanticists</link>
    <description>
Political, religious and moral views.  &lt;a href=&quot;science.html&quot;&gt;Scientific
interests&lt;/a&gt;.  Attitudes to technology.  And the &lt;a
href=&quot;enlightenment.html&quot;&gt;Enlightenment&lt;/a&gt;.  And &lt;a
href=&quot;nietzsche.html&quot;&gt;Nietzsche&lt;/a&gt;.  And &lt;a
href=&quot;artistic-modernism.html&quot;&gt;artistic modernism&lt;/a&gt;.

&lt;ul&gt;See:
	&lt;li&gt;The Romanticists themselves.  They read well.  I lean towards the Shelleys, George Sand, Dumas, Pushkin and of course Goethe.
	&lt;li&gt;&lt;a href=&quot;barzun.html&quot;&gt;Jacques Barzun&lt;/a&gt;
		&lt;ul&gt;
		&lt;li&gt;&quot;To the Rescue of Romanticism&quot;, &lt;cite&gt;The American
Scholar&lt;/cite&gt; (Spring 1940) [&lt;a href=&quot;http://www.theamericanscholar.org/wi08/romanticism-barzun.html&quot;&gt;Online&lt;/a&gt;.  Summary essay connected to his book.]
		&lt;li&gt;&lt;cite&gt;Classic, Romantic and Modern&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Berlioz and His Century&lt;/cite&gt; (one-volume abridgement of &lt;cite&gt;Berlioz and the Romantic Century&lt;/cite&gt; omitting detailed music descriptions and criticism)
		&lt;/ul&gt;
	&lt;li&gt;Hector Berlioz, &lt;cite&gt;Evenings with the Orchestra&lt;/cite&gt; (trans. Jacques Barzun.  I strongly suspect this was one of &lt;a href=&quot;../Sterling/&quot;&gt;Sterling's&lt;/a&gt; sources for &quot;The Beautiful and the Sublime.&quot;)
	&lt;li&gt;Thomas Love Peacock, &lt;cite&gt;Nightmare Abbey&lt;/cite&gt; [Affectionate
contemporary parody]
	&lt;/ul&gt;

&lt;ul&gt;To read or see:
	&lt;li&gt;Delacroix
	&lt;li&gt;Caspar David Friedrich
	&lt;li&gt;Gericault
	&lt;li&gt;Heine
	&lt;li&gt;Hoffmann
	&lt;li&gt;Michelet [So he was a historian, not a novelist or poet.  So what?]
	&lt;li&gt;Schiller
	&lt;/ul&gt;

&lt;ul&gt;Secondary sources to read:
	&lt;li&gt;Auden, &lt;cite&gt;The Enchafed Flood&lt;/cite&gt;
	&lt;li&gt;Sarah Burns, &lt;cite&gt;Painting the Dark Side: Art and the Gothic
Imagination in Nineteenth-Century America&lt;/cite&gt;
[&lt;a href=&quot;http://www.ucpress.edu/books/pages/9270.html&quot;&gt;Blurb, intro&lt;/a&gt;]
	&lt;li&gt;Leon Chai, &lt;cite&gt;Romantic Theory: Forms of Reflexivity in the
Revolutionary Era&lt;/cite&gt;
[&lt;a href=&quot;http://www.press.jhu.edu/books/title_pages/9098.html&quot;&gt;Blurb&lt;/a&gt;]
	&lt;li&gt;Karl Kroeber
		&lt;ul&gt;
		&lt;li&gt;&lt;cite&gt;Ecological Literary Criticism: Romantic Imagining and
the Biology of Mind&lt;/cite&gt;
		&lt;li&gt;&lt;cite&gt;Romantic Fantasy and Science Fiction&lt;/cite&gt; 
		&lt;/ul&gt;
	&lt;li&gt;Michael Lowy and Robert Sayre, &lt;cite&gt;Romanticism Against the Tide of Modernity&lt;/cite&gt;
	&lt;li&gt;Praz, &lt;cite&gt;The Romantic Agony&lt;/cite&gt;
	&lt;li&gt;James B. Twitchell, &lt;cite&gt;The Living Dead: A Study of the Vampire
in Romantic Literature&lt;/cite&gt;
	&lt;li&gt;George S. Williamson, &lt;cite&gt;The Longing for Myth in Germany:
Culture, Religion, and Politics from Romanticism to Nietzsche&lt;/cite&gt;
	&lt;/ul&gt;
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